Exploring the Melodic Depths of the “Seeking Certainty” by Hidden Eyes

“Hidden Eyes is a sibling duo producing homemade music inspired by the shoegazing bands of the early ’90s. Dylan’s simple fuzzed-out instrumentals are given meaning by vocal performances from Lou (Throw like a girl!). Despite being several hundred kilometres apart most of the time, they sometimes convene to record music and watch low budget horror movies” (…Spotify bio).
Enigmatic with obvious intent, the Market Harborough (UK)-based duo Hidden Eyes offers their fans little in terms of ‘marketing explanation’ not bothering with traditional adjacent musical constructs such label representation, Discogs, YouTube, or the various social media platforms that today’s youth spend so much time on. However, in the case of this act and their superb fourth album, “Seeking Certainty,” any marketing strategies or initiatives may seem somewhat unnecessary due to the standalone presence and captivating atmosphere of their sound.
The album glides through varying levels of sentient melancholy, juxtaposing C86 incessance with Julianna Hatfield-style vocal indifference in “So Alive,” “Shock,” the lead single “Piranha,” and “Sorry Walrus.” This core sound then transforms into a Big Thief-inspired blend of jangled and dulcet tones, complemented by the faux indie-pop aesthetic seen in the male vocals-led  tracks “Spiral” and “Crash Section.”
However, it is the the most dynamic tracks that truly elevate this superb album, with “It Was Night” and “Household Name” merging melodic fuzz rock elements with the more abrasive aspects of The Cranberries sound. In these songs, every note and production choice is thoughtfully positioned amid the faux mayhem.
Hidden Eyes are one of Bandcamp and Spotify’s most perfect hidden secrets.

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One comment

  1. […] “…The album glides through varying levels of sentient melancholy, juxtaposing C86 incessance with Julianna Hatfield-style vocal indifference in “So Alive,” “Shock,” the lead single “Piranha,” and “Sorry Walrus.” This core sound then transforms into a Big Thief-inspired blend of jangled and dulcet tones, complemented by the faux indie-pop aesthetic seen in the male vocals-led  tracks “Spiral” and “Crash Section…” – Read full review at Janglepophub. […]

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