Album Review – True Stories & New Religions by Peter Astor (2024) (Tapete Records)

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Only Peter Astor could succeed in breathing new life into his old(est) songs by withdrawing every ounce of the vibrant jangle that was once the signature sound of his career out of with acts such as The Loft, The Weather Prophets and more latterly his solo work.
However, Astor does so by replacing the jangle with a snapped out twang and the lowest of lo-fi neo-acoustic guitar-pop to offer an aesthetic that is so under-stated that the lyrical nuances are allowed to take control of the album and as such somehow offer emphasized meaning.
As such the middle-class twee, ‘sheer niceness’ of a life not lived by the middle class denizens of Model Village feels engulfed by an extra level of spit, disgust and bile as their days just drift away :
I look down on the model villageHigh above their worldWhere no one cries and no one diesAnd no one feels the painAnd the days just fall away
Whereas Ladies and Gentlemen is typical of the other multiple themes explored throughout the album as his move to well within the ‘middle of middle age’ and his forty years in the industry, sees him lament the futility of life and the impossibility of ever really making any sort of genuinely meaningful impact.
Ladies and GentlemenI’m tired and in the freeze of a headlightthis rabbits been undoneI’m tired of being nice to everyone
When I see Them I just Run

And…

I’m tired of my job as a shadowCan’t you see I’m invisible…
Of course all of the above is a tad melancholy. However, somehow Tall Stories & New Religions never really feels maudlin as the genuine brilliance of the languid, melodic guitar-pop of the release and especially wonderful tracks such as She Comes From The Rain, Nancy True Knot and Emblem augments his story-telling with a warm emotionality that makes you feel like Astor is taking you into his confidence like a true confidante.
Unhurried, un-worried, and never threatening to become un-ravelled, this just feels like a matter-of-fact portrayal of how life ‘is’ rather than the sort of cry for help that this artiste has always been to cool to wallow in.
If Astor was to stop writing music tomorrow, this would be a fitting epitaph to honour his lyrical brilliance.

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